orchester | ensemble (5-16) | solo → quartet | elektro-akustisch | vokal
| orchestrationen |
kollaborationen | installationen
orchester
Metall (2006-08) for large orchestra (in progress)
Commissioned by SWR
Duration: 9 minutes
First performance: April 25, 2009 , Stuttgart
SWR Orchestra Stuttgart
Tightrope Dancer (1996) for orchestra
Duration: 9 minutesFirst performance: August 18, 1999, Seiji Ozawa Hall - Tanglewood
TMC Orchestra, cond. by Stefan Asbury
Gammes (1995) for orchestra
Duration: 8 minutesFirst performance: December 5, 1995, Jordan Hall - Boston
New England Conservatory Orchestra, cond. by Tamara Brooks
ensemble (5-16)
Musica ficta (2008) for fl, ob, cl, pf, perc and electronics
Duration: 9 minutesCommissioned by Senatsverwaltung für Kultur und Wissenschaft Berlin
First performance: November 14, 2008, Wien Modern 2008
Ensemble Mosaik, Oliver Schneller
Anaclasis (2008) for recorder, trp, sho, pf, vc
Duration: 8 minutesCommissioned by Takefu International Music Festival
First performance: September 8, 2008, New Horizons Concert Series Takefu, Japan
Takefu Soloists, Ken-ichi Nakagawa
Stratigraphie
(2005-06)
for 6 instruments and 6 loud speakers
Commissioned by Ultraschall/DeutschlandRadio and Villa Massimo Rome
First performance: Jan 21, 2009, Ultraschall Festival Berlin
OENM, Johannes Kalitzke
Clair/Obscur
(2005-06)
for 7 instruments and live-electronics
Commissioned by Maerzmusik / Berliner Festspiele
First performance: March 22, 2002, Kammermusiksaal Berliner Philharmonie, Maerzmusik 2006
ICTUS
Jardin des fleuves
(2003-04) for 16 instruments, two Timées and live-electronics
Commissioned by IRCAM/Centre Pompidou
First Performance: - Dec. 11, 2004, Tremplins,
Ensemble Intercontemporain, Pierre-André Valade
Diastema
(2001/02) for 14 instruments
Commissioned by MATA Festival (New York) and Nouvel Ensemble Modern (Montréal)
First performance: April 12, 2002, Orensanz Foundation MATA Festival of Contemporary Music New York
Nouvel Ensemble Modern, Lorraine Vaillancourt
Phantom Islands
(2000) for 14 instruments and electronics
Commissioned by the Tanglewood Music Center / Harvard University(Paul Fromm Award) for the
Tanglewood Festival of Contemporary Music 2000
First Performance: - August 13, 2000, Seiji Ozawa Hall - Tanglewood
TMC Fellows
Revised version: - May 19, 2001, Alte Oper - Frankfurt
Ensemble Modern
- December 9, 2002, Centre Pompidou - Paris
Ensemble Intercontemporain
Aqua Vit
(1999) for 8 instruments
Duration: 8 minutes Performances: - April 11, 1999 - New York City
Speculum musicae
Finnagain Speaking
(1997) for 9 instruments
First peformance: August 14, 1997, Harris Hall - Aspen, CO
Aspen Contemporary Ensemble, Wolfram Neubert
Quaestio (1994) for chamber orchestra
Duration: 4 minutesFirst performance: April 29, 1994, New England Conservatory - Boston
Conservatory students, cond. by Oliver Schneller
solo → quartet
Resonant Space
(2007) for 2 pianos and 2 percussions
Commissioned by WDR Cologne / Witten Tage für Neue Kammermusik
First Performance: - April 20, 2007, Witten Tage für Neue Kammermusik
Ensemble 2 x 2
Track & Field
(2006-07) for piano, four loud speakers and video-projection
Commissioned by "piano optophonique" with funds provided by Hauptstadtkulturfonds Berlin
First Performance: - January 20, 2007, Ultraschall-Festival Berlin,
Heather O'Donnell
Twilight Dialogues II
(2006) for flute, clarinet, viola and piano
First Performance: - Dec 15, 2006, Auditorium Roma,
Ensemble Recherche
Engine (2006) for accordeon and 5 loudspeakers
Duration: 6 minutesFirst Performance: - June 6, 2006, German Academy Villa Massimo, Rome
Claudio Jacomucci
Die Unendliche Feinheit des Raumes (2005) "theatrum sonorum" for organ, hrn, perc & tuba, eight loud speakers and video projection
Duration: 58 minutesFirst Performance: - Oct. 14, 2005, 4. Magdeburger Concerte, Kuturfestung Mark, Magdeburg
Turbulent Space (2005) for recorder and live-electronics
Duration: 9 minutesCommissioned by Lucia Mense
First Performance: - Jan 25, 2005, Electronic Counterpoint, Cologne
Lucia Mense
String Space
(2005) for violin, viola, cello and live-electronics
Commissioned by Ars Nova Music Festival (SWR)
First Performance: April 16, 2005, Ars Nova Rottenburg
KNM Berlin
This is what I am seeing here
(2005) for clarinet, violin, cello and piano
Commissioned by Radio France
First Performance: May 27, 2005, Radio France - Paris
Solistes de l'Ensemble Intercontemporain
And Tomorrow
(2004) for piano and live-electronics
Commissioned by Puffin Foundation New York
First Performance: March 16, 2004, Maerzmusik Festival 2004, Berlin
Heather O'Donnell
Twilight Dialogues I
(2003) for flute, clarinet, viola and percussion
First Performance: - May 15, 2003, International Composers Review Belgrade,
musikFabrik
Five Imaginary Spaces
(2001) for piano and live-electronics
First Performance: - October 26, 2001, Espace de projection, IRCAM - Paris
Heather O'Donnell
Soleil (2000) for flute and piano
Duration: 7 minutesCommissioned by National Flute Association USA
First Performance: - Oct. 25, 2000, NFA Convention, Dallas
Topoi (2000) for clarinet, violin, cello and piano
Duration: 9 minutesCommissioned by Meet the Composer/Arts Endowment Commissioning Music/USA
First Performance: - October 4, 2000, Kennedy Center - Washington, DC
Elm City Ensemble
Trio (1999) for accordion, cello and piano
Duration: 9 minutesCommissioned by Composers Concordance, Inc. New York
First Performance: - February 25, 1999, Kosciuszko Foundation - New York City
Mikko Luoma; John Whitfield; Heather O'Donnell
Suite for Four (1999) for Baroque cello, flute, oboe and trumpet
Duration: 15 minutesCommissioned by CrossSound Festival
First Performance: - July 10, 1999, Northern Lights Church - Juneau, Alaska
Phoebe Carrai; Sally Schlichting; Jan Coldwell; Rick Trostel, cond. Oliver Schneller
Joyce Paraphrases (1998) for amplified string quartet and computer-generated tape
Duration: 25 minutesCommissioned by ARTS&SOCIETY, Inc. with funds provided by Meet the Composer/New England
Foundation for the Arts
Performances: - June 14, 1998, Katherine Cornell Theatre - Martha's Vineyard, MA
Whitman String Quartet
Five Miniatures After Maurice Sendak (1998) for brass trio
Duration: 6 minutesFirst performance: February 7, 2001, Watson Hall, Cincinnati College Conservatory - Cincinnati, OH
Conservatory students
Clouds (1998) for piano
Duration: 8 minutesFirst performance: - June 6, 1998, Slee Hall Buffalo State University - Buffalo, NY
Stephen Manes
Aurora (1997) for piano
Duration: 11 minutesFirst performance: - May 24, 1998, Graduate Center CUNY - New York City
Heather O'Donnell
Processional Suite (1996) for two guitars
Duration: 12 minutesCommissioned by Duo Sonare
First performance: - May 12, 1999, Musikhuset Aarhus, Denmark
Hersing Guitar Duo, Copenhagen
Marsyas (1996) for amplified flute and cello
Duration: 10 minutesCommissioned by Katinka Kleijn/Chicago Symphony Chamber Players
Performances: - May 12, 1996, New England Conservatory - Boston
Gaspar Hoyos, Katinka Kleijn
Labyrinth (1996) for piano
Duration: 6 minutesCommissioned by Javier Ruiz
Performances: - May 7, 1996, New England Conservatory - Boston
Javier Ruiz
- July 20, 1996, Centre Acanthes - Avignon
Sylvia Schmied
Reed-Weed (1996) for saxophone
Duration: 10 minutesPerformances: - February 7, 1996, Toru Takemitsu Memorial Concert, NEC - Boston
Oliver Schneller
- November 18, 1997, Graduate Center CUNY - New York City
Oliver Schneller
Hoqueterie (1996) for 2 saxophones, guitar and percussion
Duration: 9 minutesFirst performance: - March 24, 1996, Jordan Hall - Boston
NEC Honors Jazz Quartet
Kumoijoshi (1995) for koto and soprano saxophone
Duration: 6 minutesCommissioned by Mizuyo Komiya
First performance: - March 30, 1996, New England Conservatory - Boston
Jeff Hudgins; Mizuyo Komiya
Big City Divertimento (1995) for saxophone quartet
Duration: 9 minutesFirst performance: - April 4, 1995, New England Conservatory - Boston
Lenie Saxophone Quartet
Sieben Bilder (1995) for piano
Duration: 13 minutesFirst Performance: - November 20, 1995, Jordan Hall - Boston
Sharon Quo
elektro-akustisch works
Cell Cycle (2007) 8.1 Channel electroacoustic composition with video projection
Duration: 11 minutesCommissioned by Karnatic Lab Festival Amsterdam
First performance: Karnatic Lab Festival 07, Muziekgebouw Amsterdam , April 14, 2007
Voice Space (2007) 6 Channel interactive sound installation
Commissioned by German Academy Villa Massimo, Rome - Gropius Bau Berlin, March 1, 2007
Mobile Music (2002) 2 Channel electroacoustic composition
Duration: 7 minutes
Proteus (1999) 2 Channel electroacoustic composition
Duration: 11 minutesCommissioned by Janet McShain
First performance: “EARTHDAY ‘99” Philadelphia Academy of the Arts - Philadelphia
Bell/Man (1998) 2 Channel electroacoustic composition
Duration: 7 minutesFirst performance: May 2, CMC Concert Miller Theatre – New York City
Variations on a Word (1997) 2 Channel electroacoustic composition
Duration: 14 minutes
vokalmusik
Candidum lilium (1997) for 2 sopranos, 2 tenors bass voices, and live electronics
Duration: 10 minutesFirst performance: - June 14., Kloster Unser Lieben Frauen, Magdeburg
Ensemble labia vocalia, Klangregie: Oliver Schneller
Pour Schnabelmax. Homage à Max Ernst (1999) for counter tenor, tenor and bass
Duration: 5 minutesFirst performance: - July 1999, Dawn Upshaw Masterclass - Tanglewood
Tamara Hummel; Robert Gildon; Patrick Evans
Alice Setting (1997) for soprano, choir, percussion, strings and piano
Duration: 6 minutesFirst performance: - May 1997, Graduate Center CUNY - New York City
CUNY Music Students, cond. by Gil Peres
Three Songs after Hopkins, Shelley and Meredith (1994) for soprano and piano
Duration: 8 minutesFirst performance: - April 30, 1995, Jordan Hall - Boston
Monika Yunus; Kate Bowan
Rice Pudding (after A.A.Milne) (1993) for speaker and piano
Duration: 3 minutesFirst performance: - February 14, 1995, New England Conservatory - Boston
Dan Felsenfeld; Rachel Jimenez
orchestrationen
Maurizio Kagel: Zehn Märsche um den Sieg zu verfehlen, Mvmts. V, IX
First performance: - March 25, 1995, Festival of Jewish Music, New England Conservatory - Boston
Arnold Schönberg: op.19, Mvmts. I/II/VI
kollaborationen
IO (2006): 5.1 Channel Installation
Duration: 24 minutesCommissioned by Curtis Anderson / Gallery Jule Kewenig, Cologne
First performance: “IO” Galeria Jule Kewenig, Palma de Majorca, Oct. – Nov. 2006
Cento Correnti (2006) 20.1 Channel Sound Installation
Loop duration: 25 minutesCollaboration with Iris Dupper, Funds provided by BMW Rome
German Academy Villa Massimo, Rome June – Dec. 2006
Ritratto Romano (2006): Soundtrack to a video work of Christoph Brech
Duration: 16minutes
Baby Duett (2006): Soundtrack to a video work of Eberli/Mantel
Duration: 3 minutes
Passage (2004): Soundtrack to a video work of Almut Determeyer
Duration: 4 minutes
installationen Wu Xing(2007) audio-visual installation for loud speakers and video projection
Altana Kulturstiftung Bad Homburg, September 6 – 16, 2007
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Voice Space(2007) interactive audio-visual installation for loud speakers and video projection
Martin-Gropius-Bau Berlin, March 1, 2007
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La couleur du son(2008) audio-visual installation for loud speakers and video projection
Gesellschaftshaus Magdeburg, March 2 - 20, 2008
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